What is the difference between a lithograph and an original print?
Ink Thickness – You can also compare a lithograph vs. print by touch. Rub your hand lightly over an original lithograph, and the surface should feel slightly raised. Prints will always have a completely flat surface because they came from a printing press.
There are many types of prints, many of which do not hold much more value than the frame they come in. This is not true for all prints though, and lithographs tend to be the most common type of potentially valuable print.
A print is a high-quality image reproduction of an original artwork, that is then printed onto a new material like paper or canvas. For the prints sold through Sorelle, for example, a very high-resolution photo or scan is taken of an original artwork, and then printed onto the new material.
Most modern lithographs are signed and numbered to establish an edition. An offset lithograph, also known as a limited edition print, is a reproduction by a mechanical process, in which the artist has in no way contributed to the process of making an original print: that is, he has not designed the plate.
Lithograph printing is described as an "offset" printing technique because contrary to screen printing the Ink is not applied directly from the printing plate. In this print method ink is applied to the printing plate and then transferred (offset) to the substrate.
Inspecting the Signature
In most cases, lithographs are signed in pencil, usually at the bottom margin, while paintings are typically signed in paint directly on the artwork itself. Examining the signature can provide valuable insights into the authenticity and origin of the piece.
- Expensive set up.
- Longer turnaround.
- No Variable Data Printing.
- Smaller color gamut, colors can be less bright.
Original Prints and Reproductions
Prints that represent copies of other artworks are called reproductions. Needless to say original art prints, due to their singularity, are valued more than reproductions.
Original paintings tend to have a higher value than reproductions of paintings (a museum print of Van Gogh's sunflowers has minimal value compared to the priceless original). However, some antique engravings are highly sought after, even though they are prints rather than paintings.
'Original' prints, also known as 'fine art prints' include techniques like etchings, engravings and linocuts. The method of producing each piece creates a print.
Can a lithograph be an original?
The short answer is that a lithograph is a form of print, a type of printing process during which original works of art can be printed and reproduced. The final product is also known as a lithograph, which is an authorised copy of an original work created by an artist or other skilled craftsmen.
Lithography is a planographic printmaking process in which a design is drawn onto a flat stone (or prepared metal plate, usually zinc or aluminum) and affixed by means of a chemical reaction.
There are many different types of prints, and the process is constantly evolving, but the four best-known techniques are etching, lithography, screenprint and woodcut.
In addition to flexibility and quality, the main advantage of Lithographic printing is the price point with volume printing. There is a cheaper 'per-unit' cost for larger print runs and reprints are cost-effective as the printers will reuse existing plates.
Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.
Modern lithographed stamps normally use process color (multiple inks). 1) A design is imprinted on a smooth surface. 2) A water-base chemical fills the surface around the design. 3) Ink is applied; since it contains oil, it sticks only to the design.
In most cases, an artist's proof is more valuable due to this smaller amount. Another critical difference is artist's proofs may not perfectly match when compared with the original artwork or the limited-edition prints. These discrepancies contribute to their uniqueness and ultimately to the increased value.
A printing process based on the fact that grease and water don't mix. The image is applied to a grained surface (traditionally stone but now usually aluminium) using a greasy medium: such as a special greasy ink – called tusche, crayon, pencils, lacquer, or synthetic materials.
Lithographs demonstrate a stippling pattern throughout. The texture mimics its limestone matrix with dots that appear smaller than mezzotint roller marks, are not in a set pattern, and are less defined than aquatint grains.
Lithography is a unique art form where artists draw with greasy materials on a stone. The stone is then chemically treated to establish where water and ink will go. The drawing is replaced with ink, creating a beautiful print. This process allows for detailed and subtle artwork.
Is a lithograph just a poster?
To create a lithographic reproduction the artist will take a photo of the original piece. Then, a color separation is produced using the photograph and this information is transferred to lithographic plates that are photosensitive. These reproductions are often referred to as posters.
When it comes to how long the print will last, much is dependent upon the paper and inks used. Most should retain their quality for about 30 years but after that like any printed item, it may start to yellow and fade.
Ok, lets start with A/P. A/P stands for 'Artist's proof' and is a small number of prints that are the first ones printed deemed good enough by the artist. Usually the number of A/Ps is about 10% of the size of the main edition, and this mini-edition can be numbered or not.
The general rule of thumb is that if a print has been signed by the artist, it will be much more valuable. A signed print refers to a finished fine print with the artist's autograph. You'd expect a signed print to be signed by hand, and not through mechanical means of reproduction.
How many editions? Generally speaking, for contemporary art to steadily increase in value the size of the edition is best kept low, perhaps between 10 and 50 editions. Higher limited editions are usually reserved for iconic works from highly collectible artists like Charles Blackman or John Olsen.
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