Are museums unbiased?
Museums are not Neutral
The implications of unintended biases are wide-ranging, from lack of diversity among museum trustees, staff and audiences to exclusionary practices of collecting, display and interpretation.
Much has been proven and documented about museums being trusted as brands and as sources of information; surpassing the media, governments, NGO's, and other traditionally trusted institutions. It makes logical sense: museums, along with libraries, are the world's leading record keepers.
Museums are trusted. They are seen as more credible sources of information than newspapers, other NGOs, and – by particularly large measure – federal agencies.
At the core of the Museums Are Not Neutral campaign is the simple yet powerful recognition that what museums take for granted as “neutral,” “objective,” “normal,” “professional,” and “high quality” is all part of a status quo system, as La Tanya mentions, that perpetuates oppression, racism, injustice, and colonialism.
Museums are important collections of ideological symbols and perform a special communication as well as legitimizing role. The narratives conveyed by museums are observed as definitive and authoritative, and the objects displayed are understood as emblematic or normative culture.
Museums have curators who are in charge of selecting artists to exhibit. Curators are also responsible for finding works to place in their permanent collections.
Works on display can be subject to damage by visitors. This is a calculated risk that all museums face, but it's still painful when works get damaged. Some make it hard to really “enjoy” art. To really get into a piece and let it work in your mind, you have to do more than just walk by and nod at it.
The Ticker's Leanna Bornkamp noted that, “Americans between the ages of 18 and 44 are visiting museums at a rate declining more dramatically than their older counterparts.” And The New York Times' Patricia Cohen wrote that in regards to museum and gallery attendance, “Ten years ago more than one in four Americans ...
Museums help us to learn from the past
First and foremost, museums and galleries provide an insight into the history of humankind. And while no museum can claim to provide a complete picture, the lessons we can learn from past events, wonders and tragedies are priceless.
When did museums really become a thing?
The Ashmolean Museum may be considered the first public museum. It opened in 1683 on the campus of University of Oxford, England. Founder Elias Ashmole stipulated that his collections (cabinets of curiosity) form the basis for practical research and education.
The fact is that every museum in the world is subject to con men and misattributed art. More than half the paintings being fake in a modest museum sounds shocking, but an estimated 20% being fake in major galleries is the truly staggering data point, especially when you remember that Étienne Terrus was not Goya.
People don't have free time; There isn't good means of transportation to visit these cultural spaces. The pandemics changed people's way to interact with museums and other cultural spaces and events. There's a lack of advertisem*nt about museums and other cultural spaces and events.
As a museum professional, armed with first-hand interaction with museum visitors and research about visitor attitudes towards exhibits, primary reasons for low footfalls at the museum include – lack of knowledge about such places coupled with a sense of doubt or fear about whether they will be allowed to enter such ...
Once light damages a work of art, that change is permanent and irreversible. By adjusting the light in the galleries, we can minimize the amount of light exposure each object receives, which prolongs its life and preserves its vibrancy.
As museums face new challenges including multipolarity, excessive industrialization, climate change and increased fragmentation, many people are being excluded from them.
A worldview is what you believe is true (reality), whereas ideology is what you believe is right (morality). Worldview is a lens through which oneself and reality are interpreted, including beliefs about what is real, bad, and good, what can be known, pursued, and done.
The purpose of modern museums is to collect, preserve, interpret, and display objects of artistic, cultural, or scientific significance for the study and education of the public.
Curators manage museums, zoos, aquariums, botanical gardens, nature centers, and historic sites. The museum director often is a curator. Curators direct the acquisition, storage, and exhibit of collections, including negotiating and authorizing the purchase, sale, exchange, or loan of collections.
Curators, who also may be museum directors, lead the acquisition, storage, and exhibition of collections. They negotiate and authorize the purchase, sale, exchange, and loan of collections. They also may research, authenticate, evaluate, and categorize the items in a collection.
Who controls the museum?
Most museums operate under some form of governing body. This body defines the general policy of the museum and provides and controls the necessary resources to deliver it. The appointment of the director and perhaps of other staff members is usually among its responsibilities.
Evaluation should take into consideration the accuracy of content and setting and the effectiveness of presentation and overall design (e.g., visual quality, conveyance of text, use of sound, and the meshing of these components).
The London museum says it undertook the review following controversy over hiring out its events space to arms trading company Leonardo in July 2018, when more than 40 artists asked for their work to be removed from an exhibition at the Design Museum because of its links to the company.
Museums are a crucial source of inspiration and education for our increasingly important creative industries (e.g. art, design, fashion, and architecture). Free access is an investment in the future of this sector of the economy and therefore has long-term benefits in securing prosperity for the whole of society.
This high level of trust is consistent for museums of all types, from art museums to zoos. The top three reasons cited as contributing to this trust are that museums are fact-based, present real/authentic/original objects, and are research-oriented.
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